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Roots & Branches

by Darryl Holter

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1.
Took a long walk down to the ocean, baby, trying to know who I am. Old man, young man, crazy man, maybe, pushing my toes in the sand. All these years I thought I knew what I was looking for. But now I wonder why I never saw it walking out the door. I could hear the waves crash. (On the beach where you first kissed me). Time passing in a flash. (But there’s no time left for me). Wind blowing in my face. (I wonder if you really loved me). Not leaving any trace. Well I thought I knew what I was doing but I couldn’t visualize how to understand myself through someone else’s eyes. Now the night is closing in and I’m singing the Blind Man Blues. Trying hard to make some sense about the things we’re supposed to do. One day I was the king of the hill, next day I was a fool. Work hard, play hard, love hard too, try to follow all the rules. Look out for what you can’t see. (I guess you never really saw me). Love isn’t for me. (You let me go too easily). Don’t let your guard down. (Why didn’t you ever try to trust me?). It’s a lonely town. Well I feel the sunlight warm my face and I hear the seagulls call. I smell the ocean in front of me, but I can’t see you at all.
2.
Walk a Mile 04:39
3.
Highway 66 03:58
I cannot say it It doesn’t roll right off my lips I know you want to hear it From your toes to your fingertips Putting labels on your love somehow seems to make it fake Making promises just guarantees they’ll break… Words But if I tell you will your love erode to dust? Can’t you tell by what I do, isn’t that enough Can I say those words Without the risk of losing you? And once I use those words Will their meanings be untrue? Words Come and sit beside me The truth has been exposed The you, the me, the story The something we both chose Hold me tightly so we / won’t be broken in two Listen closely as / those words are spoken to you… Words.
4.
5.
One day I started walking /And ended up on the other side 2X Man I must have walked for 10 hours or so / Down a strange road I never seen before One day I started walking / And ended up on the other side Yesterday the world went by a hundred miles and hour 2X Now I’m in slow motion and time stands still / No such thing as time to kill Yesterday the world went by a hundred miles an hour Bridge: Once I started walking / my worries began to fade away 2X One by one I dropped them to lighten my load / They rolled off my shoulders and on down the road Once I started walking / My worries began to fade away Some say I took a bullet to save my pretty Baby’s life 2X Others say it happened when I raised my voice / and all the authorities said was: “We had no choice” Some say I took a bullet to save my Baby’s life Throw away my money / There’s nothing here to buy (2x) I’ve got one foot in the future / the other’s in the past / Where first is first and last is last One day I started walking and ended up on the other side
6.
Well I knew when we met/ This was something new ‘Cause all the women I knew/ Were nothing like you And I knew when I looked in your big brown eyes There was something deep and strong inside And I found myself losing my way And I tried to deny it/ I tried not to see The powerful force taking control of me And I wanted to hold my own/But I wanted to hold you more And I was crazy/Crazy for you I thought about it more and more/ I tried this once before Love just didn’t treat me so well But now that I’m older/ Maybe I’m bolder And who knows? /You never can tell So I went through the longest Courtship I’ve known And I tried to resist The thought of settling down But each night when I drove you home I felt empty and all alone And I was crazy Crazy for you Tried to make it easy/ Drove to Albanese’s Pizza, red wine, and talk/Want to get kissed again? The bluffs above Lake Michigan/Or Brady Street in the dark Now there are kids in the house Flowers in the back yard And I’m finding that life Isn’t really that hard And I’m learning that life with you Is better than I thought I could do And I’m crazy Crazy for you. August 2014
7.
8.
Economy. Some say it’s fine But we’re falling though the bottom line Retirement plans are lying in the gutter Homeless population grows Working families lose their homes Days of living comfortably are numbered Welcome to the New Depression A lot of folks are falling through the cracks I don’t think it’s natural selection Or just a case of not knowing all the facts Finance companies pumped their egos When Congress killed Glass-Steagal But banks too big to fail learned how to cheat us We knew we needed stimulus But Congress wouldn’t help us out We needed John Keynes but they gave us Milton Friedman, Milton Friedman… What are the people supposed to do When all their money goes for rent and food With nothing in their pockets left to spend I thought I found the magic key When I read Thomas Piketty But I only got to page two hundred and ten Welcome to the New Depression Where inequality rules the land Economists, please run some more regressions While we pray like hell for the invisible hand I used to think that all our kids / could end up better than we did But now it seems like we are in decline I thought we lived in a land / where people lent a helping hand To those of us who were falling far behind Welcome to the New Depression Remember that old Carter family song? They said, “We’re going where there’s no Depression” But do we have to die to come along? Welcome to the New Depression
9.
There’s many a man who would stand up and say/The past is no quide for what we’re doing today But the roots of the past are thick and they are deep/And the roots are exposed on Magazine Street It’s many a year since I walked through the town/Past the old shotgun houses and workshops around Where factories and stores and warehouses meet/Where commerce converged on Magazine Street Humid breeze/ Missing piece By the look in her eye and the way that she stood /I could she was a wild one and up to no good Then her hand touched my arm and she smiled so sweet/On a hot afternoon on Magazine Street Dark place/ Her face A summer of heat a summer of night/The wind pushed us toward the flickering lights Of the old French Quarter where the river runs deep /When you come to the end of Magazine Street Lovers/ No others Now the lumberyard’s gone and the factories closed/The barges stopped coming to drop off their loads And the old railway tracks are covered with weeds/Dragged into the past on Magazine Street The rules of the game are never quite fair/You can work all your life and still never get there Bury your dreams, live with defeat/Until the rules change again on Magazine Street Changes/ Strangers
10.
11.
12.
I cannot say it It doesn’t roll right off my lips I know you want to hear it From your toes to your fingertips Putting labels on your love somehow seems to make it fake Making promises just guarantees they’ll break… Words But if I tell you will your love erode to dust? Can’t you tell by what I do, isn’t that enough Can I say those words Without the risk of losing you? And once I use those words Will their meanings be untrue? Words Come and sit beside me The truth has been exposed The you, the me, the story The something we both chose Hold me tightly so we / won’t be broken in two Listen closely as / those words are spoken to you… Words.
13.
14.
Do you remember the day? Remember the day when we talked The day when we talked in the car We talked in the car about life The life that you wanted to live You wanted to live in a way To live in a way that was real A way that was real as the touch Do you remember the day? A way that was real as the touch As real as the touch of my hand The touch of my hand on your cheek My hand on your cheek in the night Your cheek in the night that we kissed The night that we kissed in a way A way that was more like a dream A dream where you laid next to me Do you remember the day? A dream where you laid next to me Next to me when you told me the truth You told me the truth about you The truth about you and your feelings Your feelings about you and I About you and I and our world You and I and our world and the fear And the fear that we both stripped away Do you remember the day?
15.
It wasn’t the way you smiled when we first met / It wasn’t your blood-colored jewels It wasn’t because you told me the truth about /The man with the hat who was watching you It wasn’t because I felt lonely /Or that I ever felt sorry for you I try to live on the lean side /With thin expectations But I know it’s true…There’s another blue moon Remember how loudly you laughed when I told you /That everyone knows that nothing is free Remember the view from the 21 st floor /And your comment about distressed property Remember my hand on your shoulder/As we watched the sun slowly climb into bed Black curtains drawn by the mountains/We closed our eyes then And traveled soon …To another blue moon Forget the didactic diatribes/The life that could never begin Forget the guy who couldn’t remember/The face of the friend who did you in The portrait interrupted/Broad strokes waving alone in the night Forget all the nostalgia/Dreams burning in your pocket But remember too …There’s another blue moon

about

This album reaches back to the musical Roots that formed my personal journey into music, with songs and themes from the country, blues, and folk traditions that I grew up with in Minnesota. Then we Branch out in new directions with lyrics, arrangements and instrumentation reflecting a more complex contemporary world.

The themes are rather universal: love and regret, memory and nostalgia, hope and death. The Roots and Branches theme is used to show how a song takes root and then grows organically into something larger. My songs begin simply with me, a guitar, a chord progression, and a handful of lyrics that somehow go with an emerging melody. Then the song begins to grow and evolve. Finally the song is enhanced by the contributions of the talented musicians that collaborate with me.

Two songs in the middle of the album, “No Depression in Heaven” (popularized by the Carter Family in the 1930s) and “Welcome to the New Depression” create a musical transition from roots to branches that both unite and divide the album. The songs offer musical descriptions of two historical periods of economic dislocation, one in the 1930s and another in 2008. But while the first song rests on faith for eventual happiness in heaven, the second offers a bitter critique of contemporary economic policies and a demand for changes to improve our lives while we are still alive. We also covered four of my favorite songs.

Working with some of the best musicians in the business made this album a genuine pleasure and I hope you feel the same way about the results.

credits

released April 23, 2021

All songs written by Darryl Holter (213 Music) except where noted.
Produced by Ben Wendel
Executive Producers: Darryl Holter and Ben Wendel
Engineered and Mixed by Todd Burke
Branches recorded at Sunset Sound June 11 and 12th, 2016
Roots recorded at Sunset Sound December 5th and 6th, 2016
Mastered by Kerseboom Mastering
Design by Paulifornia

Roots band:
Darryl Holter: vocals and acoustic guitar
Greg Leisz: pedal and lap steel
Todd Sickafoose: acoustic bass
Gabe Witcher: violin, piano and acoustic guitar
Don Heffington: drums and percussion

Branches band:
Darryl Holter: vocals and acoustic guitar
Jebin Bruni: piano and keyboards
Tim Young: electric guitar
Kaveh Rastegar: electric bass
Aaron Sterling: drums and percussion

Guest vocalists: Julia Holter, Joe Henry, Shayna Steele, Anais Mitchell, Chris Morrissey, Becca Stevens

Thank you: Ben, Carole, Julia, Gabe, Greg, Don, Todd, Jebin, Kaveh, Tim, Aaron, Joe, Shayna, Anais, Becca, Chris, Todd, Paul.

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Darryl Holter Los Angeles, California

Darryl Holter grew up playing the guitar and singing country and rock and roll songs in Minneapolis, Minnesota. His current brand of Americana music draws from country, blues and folk traditions and often tells stories about people, places and events.

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